|'relic 13 (guarantee)'|
i've been referring to this series as 'relics.' and they are relics. the parts and pieces that i use to build these assemblages, themselves are relics of my studio and of my community. the pieces are discards either by me or by people in my neighborhood or near my studio. my year of frustration is evident in the many of the pieces that have been a part of other assemblages that i've painted and torn apart only to rebuild and repaint and tear a part again. they end up simply as abstracts, some looking a bit like a landscape or cityscape, others simply looking like color studies. but for me, they are abstract social studies. the pieces that i build with have a history of their own, sometimes that history is known, most times it is not, but history is evident in each collected item that i build with. many of my previous series of assemblage work has been focused on a social message, like the poetry of rap music. this series is still focused on a social message, but the poetry is more understated and layered like a buddhist koan.
these works are an obvious response to my overuse of imagery. in these pieces, i'm eliminating the meaning of the image all together and focusing much more on using the cropped, cut, and broken pieces to create a visually balanced psychological narrative based in the understood history of the parts and pieces of each assemblage.
|'relic 14 (seed mill)'|
|'relic 15 (x x x x x)'|
|'relic 17 (twilight in the alley)'|
|'relic 16 (one cent sale)'|
|'relic 18 (original cut rate)'|